The conjunction of a willing performer who knew the repertoire of the composer, a composer who was willing to accommodate the performer, and the singer who brought them all together was a happy source of a song becoming a beloved piano quintet. Recording Producer Michael Haas (3) Transcription By Franz Liszt. The work was later taken up by Franz Liszt as part of his piano transcriptions of Schubert songs and he made two different versions of Die Forelle.įranz Liszt: Schubert – Die Forelle (The Trout), S564/R248 (Frederic Chiu, piano)įranz Liszt: Schubert – Die Forelle (The Trout), S564/R248 (2nd version) (Valerie Tryon, piano) Schubert-Lieder Transkriptionen Fr Klavier (Die Forelle Horch, Horch.
#Franz liszt die forelle full#
The full poem tells the story of a trout being caught by a fisherman, but in its final stanza reveals its purpose as a moral piece warning young women to guard against young men. Schubert chose to set the text of a poem by Christian Friedrich Daniel Schubart, first published in the Schwbischer Musenalmanach in 1783. Tema con variazioni (Emanuel Ax, piano Pamela Frank, violin Rebecca Young, viola Yo-Yo Ma, cello Edgar Meyer, double bass) is a lied, or song, composed in early 1817 for solo voice and piano with music by the Austrian composer Franz Schubert. A further verse that Schubert didn’t set draws an analogy between the fish and young maidens who are caught by treasonous boys.įranz Schubert: Piano Quintet in A Major, Op. In the song, a watcher on the shore sees a fisherman catch a fish and sees in it a betrayal of the fish’s home by the undeterred hunter. 550 (Dietrich Fischer-Dieskau, baritone Gerald Moore, piano) It was also Paumgartner’s idea that the theme and variations fourth movement be based on Schubert’s song Die Forelle (The Trout), which was a setting of a poem by Christian Schubart.įranz Schubert: Die Forelle, D. It was at Paumgartner’s request that the work has the same scoring as Johann Nepomuk Hummel’s Piano Quintet in E flat major, i.e., violin, viola, cello, double bass, and piano, probably to make it easier to get performers together.
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He played the cello and various wind instruments and held musical evenings at his home.
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He intended it for Sylvester Paumgartner, a friend of Vogl who was a local musical amateur. In 1819, Schubert and Vogl visited Vogl’s home in Steyr and Schubert started working on his new piano quintet.
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Burkard Schliessmann (piano), recorded in the Mendelssohn Hall of the Historical Wuppertal Town Hall. Die Forelle - Auf dem Wasser zu singen - Horch, horch Die Lerch im Ätherblau - Leise flehen meine Lieder - Aufenthalt - Der Erlkönig. Schubert ponders on the sad fate of a trout on the end of an angler’s line, by Andrew Howat © Look and Learn Franz Liszt (1811-1886): Piano Transcriptions of Schubert Songs.